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It is as if a particular story were being weaved movement upon movement like an act in a play, while the tempo brings indications where tragedy must come in, the point to remain as such or otherwise jolt-free as though there were magical winds. With its unique style, the sound of antiquity becomes special that I suddenly feel the ease to span out of my modern musical inclination and reconcile with it each aspect of distortion and fluidity therein. As a consequence of a well-arranged composition, it seems there is automatic connection somewhere with the perfectly climatic lute instrumentation. I could sense that others watching with me at the time are being made repeatedly optimistic in the process, not initially expecting to have tuned the symphonies in as eventful as it is wonderfully tragic along the transformation of tamed notes to voracious ones, worthy of encore.